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Graffiti at DOX


The ‘Metropolis’ exhibition of Czech street art and graffiti has returned home from Shanghai. There will be an opportunity to view works by leading representatives of the Czech street art and graffiti scene at the DOX Center of Contemporary Art. Masker, Pasta, Tron, Skarf, Cryptic 257 and Point will display their monumental installations from October 15 through December 31.

Following its success at the Czech pavilion at Expo 2010 in Shanghai, the exhibition has now returned home. A version of the exhibition, slightly adapted to the DOX Centre’s space, will provide an opportunity to judge the level, quality and development of works of the six artists, whose names - Masker, Pasta, Tron, Skarf, Cryptic 257 and Point - have been in the public consciousness for the past fifteen years at least.

For societies throughout the world street art and graffiti are a fairly accessible, clear and lucid art form that does not require any deep knowledge of art. Thanks to that it easily gains fans, who do not need to know the language, political situation or other details, above all because of its visual brazenness and aptness, enhanced by the locations where it unexpectedly occurs or which it complements in an unusual and often witty fashion.

In creating their individual concepts the artists focused on depicting an existing city in their imagination. They demolished the four-walled gallery space in the eyes of the visitors and replaced it with materialized graffiti in an unaccustomed urban setting. This gave rise to a fantastical vision of the future, which at root is also attached to the inherent architectonic elements of Czech cities that enhance its unique character.



This exhibition of street art and graffiti plays with dimensions, reality and dream. Placed in the exhibition space will be an urban collage, which visitors will enter beneath bridge structures directly into the vestibule of a Prague metro station with typical marble walls, information boards and a new Czech invention: a graffiti vending machine that will dispense spray cans and masks instead of drinks (Cryptic 257).
The ‘underground’ installations lead onto a surrealistic vision of Communist-era prefab apartment blocks penetrated by some colored organic matter – does it destroy their structure or hold them together? It looks like a play thing or a terrifying urban worm, consuming the city’s innards (Point).
A key element giving shape to the entire installation in space will be a time-lapse video montage monitoring the transformation of the environment over time which lends the entire gallery/urban space a uniform atmosphere, using the sounds and noises of urban life (Skarf).

Alongside projections documenting destruction the visitor will come upon a candy store full of atypical candies with 1960s-style aesthetics, all sorts of neon signs with crazy wordings, slightly reminiscent of Charlie’s Chocolate Factory from Tim Burton’s film, bordering on art and kitsch (Pasta).
Pass the candy store appears a miniature three-story prefabricated apartment block offering views of the lives of surreal figures who inhabit each of the floors and the opportunity to see literally what is going on in their minds (Masker).
Looking down on the apartment block is a group of skyscrapers, whose shapes form the inscription TRON – the artist’s nick-name. Supplementing the light-installation are flashing neon signs recalling a futuristic vision of cities.


The artists:
Amazingly for many, this group of artists who were street-taught consists of graduates of leading Czech art schools, some of whom studied abroad and over time have exhibited in many Czech and foreign galleries and at art festivals. They are now among the most active artists in their field.

CRYPTIC 257 (*1982) is an artist whose work can be best summed up in the sentence: “The main stuff happens outside.” Any attempt to pigeon-hole his work as going beyond the frontiers of graffiti, or street art, or art in public space, proves pointless and restrictive when his work is examined more closely. The wit, perceptiveness and dexterity with which he intervenes in our common public space transforms with fine nuances what we regard as ordinary into something remarkable. His apparently simple ideas have powerful reverberations, and they include an element of irony, humor and a discreet story line. Most important, however is freedom and a certain kind of humility towards what he reshapes.

POINT (*1978) aka Cakes attended two Prague art schools and toured graffiti festivals in Berlin, Moscow, Manchester, Amsterdam and Gothenburg, among others. In 2008 he organized an ambitious international festival of street art and graffiti titled NAMES in Prague. He is one of the legends of the Czech scene (DSK crew). He practices not only classic graffiti with a talent for dynamic compositions with playful coloring, but also creates street-art sculptures of various formats and is not afraid of experiment, thus shifting the boundaries of the genre. He has reduced the broadly sweeping graffiti style onto canvas as a concentrated minimalist style in the spirit of Piet Mondrian. Although in recent years his art has partly shifted into galleries, he has not stopped intervening in urban space. His unforgettable works include his Monument to the Victims of Graffiti, which he installed in 2007 at one of the busiest locations in Prague, 3D sculptures of small dragons made up of the letters in POINT, which he calls “little points” and has placed on the parapets of dozens of buildings, and countless small colored creations throughout the Czech Republic.
www.onepoint.cz

MASKER (*1981) is a painter and drawer, who transfers his figures and painting techniques into street art and street art techniques back into his painting. He studied painting with Prof. V. Skrepl at the Prague Academy of Fine Art and attended courses in London and New York. His monumental gray-blue pictures generally comprise pink weeping figures, slightly erotic scenes or describe absurd situations of personal relationships. His simplified illustrative drawings embody his sarcastic attitude to civilization and its bad habits. He transfers his large-format paintings on walls and ceilings back onto canvas and vice versa. His most striking work includes the ceiling of a Baroque castle at Třebešice in Bohemia, as well as a black-and-white painting measuring several meters on a brick wall in London, and an original book “Fax you” published on fax paper in a limited edition. To a smaller extent he produces videos and 3D objects.
www.masker1.net

PASTA (*1979) is one of the pioneers of the Czech street art scene, publishing and editing the only Czech street-art-graffiti magazine “Clique”. He helped produce the first Czech book tracing the evolution of graffiti in the Czech Republic: ”In Graffiti We Trust.” He decorates streets with screen prints, stickers and a flood of posters with striking texts and ‘subvertising’. However, as is now typical for his generation, he does not restrict himself to intervention in the urban space and street furniture, but also exhibits in galleries and is involved in classical art disciplines. He has a pure graphic style with its roots in American pop-art and 1960s advertisements. His work draws inspiration from Andy Warhol, Roy Lichtenstein, and Claes Oldenburg. A key component of his work is frequent depiction of tubes of paste in various “life” situations. In the recent period he entertains himself and club-goers as a DJ and he and Point briefly hosted a radio show about the Czech graffiti scene. He occasionally designs clothes and other products.
www.pastaoner.cz

TRON (*1978) belongs to the most expressive wave of Czech (Prague) writers with many achievements to his credit. He is engaged in countless graphic activities with the magazines “Rooftop”, “Free Magazine” and “Upstream”, ranging from festival visuals, books, CD covers for bands, web design, and the creation of original fonts, to the design of posters and invitations to arts events. His graphics projects of the recent period include Names Festival, Kick the Shit! Bitch!, OBR, the Thick-skinned Moviegoers’ Festival for the Aero Movie Theater, IFP, visuals for the Bigg Boss label, etc. In addition to computer graphics, who also produces drawings and airbrush works. He brings his vivid imagination to bear on graffiti and visual effects. Member of CAP, NUTS, DSK a TOYZ! http://www.834.cz/

SKARF (*1977) majored in film animation and dramatic direction at the Prague Film Academy and has directed short films, TV jingles and music videoclips, which regularly receive awards. His animation work is very recognizable and in many cases is inspired by his street-art roots. A highly individual director (also animator and artist), he was one of the first Czech graffiti artists and was also a member of the popular Czech hip-hop group “WWW”. For the past few years he has led an Experimental Film Workshop at the Josef Škvorecký Literary Academy in Prague.
http://vimeo.com/user578549/videos

Blanka Čermáková (*1979) has worked since 2006 as a curator and fundraiser at the Academy of Fine Art in Prague. She is a member of the “Trafaček” civic association, which administers an alternative exhibition and residential space in Prague’s Vysočany district. In addition to regular annual group exhibitions of graduates in the Prague National Gallery, she assisted with the NAMES international street art and graffiti festival held in Prague in 2008.

Accompanying Programs
DOX Centre for Contemporary Art organizes a series of accompanying programs to the exhibition including projections of a documentary about Shanghai, an evening event based on the EXPO 2010 theme with representatives of the management of the Czech pavilion, projection of the Kick the Shit cult videos, guided tours with commentaries by the artists themselves, presentations of their portfolios, and many more.
Events take place on Mondays and Thursdays either in the lecture hall or in the DOX cafeteria from 18.00 o’clock. Updated schedule of events can be found at the website www.doxprague.org.

Two publications accompany the exhibition: a DOX published Czech-English catalogue about the exhibition itself and a more detailed English-Chinese publication accompanying the Shanghai EXPO 2010 is also available.


DOX Partners:
Zdeněk Bakala, City of Prague, TECHO, a.s., Premiant City Tour s.r.o., Prague Events Calendar, Poster Infinity s.r.o.

DOX is financially supported by the Ministry of Culture of the Czech Republic.

DOX Media Partner:
Hospodářské noviny

Exhibition Partners:
Perfect catering s. r. o., freeSaM s. r. o.

Exhibition Media Partner:
METROPOLIS LIVE, s.r.o.


CONTACTS:
DOX Centre for Contemporary Art
Office
Vojtěšská 8, 110 00 Prague 1
T: +420 224 930 927
E: info@doxprague.org or media@doxprague.org
Exhibition room
Poupětova 1a, 170 00 Prague 7
www.doxprague.org
www.facebook.com/DOXPrague.cz

Opening hours
Mon: 10am–6pm
Tue: closed
Wed to Fri: 11am–7pm
Sat and Sun: 10am–6pm
Contact for editors:
Mediareport, s.r.o.
Terezie Kaslová
E: kaslova@mediareport.cz
media@doxprague.org
Phone: +420 603 551 372








Kontakt:

Anna Fibichová
asistentka
fibichova@mediareport.cz
736 488 741
222 940 014


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Vydáno: 14. 10. 2010 15:38
Kategorie: Kultura
Název zdroje: MediaReport s.r.o. (ověřený zdroj [?])
Popis zdroje:
PR agentura
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